Diljit Dosanjh’s latest film Sardaar Ji 3, featuring Pakistani star Hania Aamir, is making waves for skipping its theatrical release in India. The film is instead premiering in overseas markets, sparking reactions across fans and critics alike regarding political and cinematic boundaries.
Image source:- India Forums
Sardaar Ji 3: A Bold Release Strategy
Punjabi superstar Diljit Dosanjh returns with the third installment of his popular Sardaar Ji franchise, this time making headlines not just for his performance but for the film’s strategic release plan. Sardaar Ji 3 will not be released in India, a surprising move that has caught both fans and industry insiders off guard.
Overseas Release Only
The makers have chosen to premiere the movie in international markets, primarily targeting audiences in Canada, the UK, the US, and Australia, where Diljit enjoys massive fan following. According to industry insiders, this decision was influenced by the casting of Pakistani actress Hania Aamir, marking a rare India-Pakistan collaboration amidst ongoing geopolitical tensions.
Image source:- Mid-Day
Hania Aamir’s Role in the Spotlight
Hania Aamir, a celebrated name in the Pakistani entertainment industry, stars opposite Diljit in a refreshing on-screen pairing. While her involvement has generated excitement overseas, it’s also likely the key reason behind the domestic release halt, as films with Pakistani artists face unofficial bans in India post-Uri and Pulwama incidents.
Mixed Reactions from Audiences
The news has prompted mixed reactions online. Some fans expressed disappointment over missing the theatrical release in India, while others lauded the filmmakers for bold creative decisions. Film critics speculate this might become a growing trend for politically sensitive cross-border content.
What This Means for Punjabi Cinema
Punjabi films, historically enjoying global viewership, might adopt international-first releases more often, especially if casting or content could trigger political or cultural pushback at home. This could alter how Punjabi cinema balances creative freedom with domestic market pressures.
